Introduction
Pip Grylls, EWF20's Digital Producer, introduces
e/merge: Collectivity
It goes without saying that this year has been an especially important
year for digital publishing. But in the literature scene of so-called Melbourne and Australia we were
lucky to have an already thriving digital publishing scene. At EWF this year, we are so
excited to be able to collaborate with five incredible digital journals: Djed Press, Lor
journal, Mascara Literary Review, Peril magazine and Running Dog. Each
journal has chosen an emerging creative writer and editor to work
together to craft a digital piece. These collaborations combine to
create Emerging Writers’ Festival’s brand new publication, e/merge.
In its inaugural edition, e/merge considers: Collectivity. What does
it mean to be an individual, really? We’re all connected to other
living and creating beings, from the writers we read, to our friends,
our family, the birds singing outside our window, to collective forms
of identity and resistance. e/merge asks the question: do we ever
really write alone?
Collectivity is central to both writing and the digital sphere. Ellena
Savage writes “I read so much I don’t know where my ideas come from… A
human being is not sufficiently evolved for the internet.” But our
collective and artistic voices are desperately trying to adapt to the
polyphony of the digital world, in all its ambiguities. They say
technology is only as good or bad as the way it’s used. Today, with Jeff
Bezos becoming a trillionaire and Elon Musk colonising space, it feels
like we have all too little collective power over the way technologies
are made and used, especially the most marginalised. The call in the
Cyborg Manifesto to rise up and take collective control of technology
feels riper than ever.
But in order to act collectively or, indeed, in order to write, the
question is crucial: what really is collectivity? What modes,
assemblages, configurations does collectivity take? The artists in
e/merge think through and tease out the threads of collectivity, from
its deepest submerged roots in the psyche all the way to its patterns
in space, sound and society. The processes that came together to make
e/merge were themselves collaborative. The way the writers, editors,
and publications in e/merge have worked together has, I think at
least, revived some of that spirit of the collaborative, collective
potential of digital literature.